You always heard older people talking about how fast time moves, but it wasn’t until you actually had experienced enough years to feel it for yourself that this mysterious element of time began to take shape: acceleration. My dad used to share an explanation for it. He thought that you always feel the same age internally and can remember what it was like to be younger, so the more time passes the faster it seems to go. It’s mostly an effect of the conflict between knowing that a lot of time has passed and feeling that it was just yesterday. He has a rare capacity for memory, though. He can remember slight plot details and character points from novels he read twenty years ago. When I stop to remember things that vividly stand out in my memory, like the earthquake of 1989, it doesn’t feel like yesterday, at all. For me, it feels like a different lifetime.
Gary Irving in his natural environment: the studio. Don’t be fooled by his adventure-machine (the ultimate van for exploring): he’s not all safaris and mud-flaps. This guy has compelling ideas about art, too. He’s a technical wizard who does things with Photoshop that make people scratch their heads with a dazed-by-jealousy smile. It has been a real treat to work with Gary while he is creating a masterful series depicting the Seven Sins as things we have done to the environment. Making art today would seem pretty hollow and shallow without considering our global contexts. Climate changes, nuclear proliferations, genetic modifications: there are plenty of concerns facing every human, and every living thing for that matter. Gary has a vision and it is a dark one but one that is full of intelligence and wit. For anything to change, we need first to face the problems confronting our times and that is what Irving is attempting in this series: it is a self-portrait of humanity’s vices on the edge of the brink.
Portraits are an engine of artistic production. In the past, only the powerful were able to afford having an artist make a portrait of them. Today, with cell phones and selfie sticks, there’s a lava flow of portraiture erupting with volcanic intensity. More people have been both photographer and subject than ever before. Portraiture is a force.
Social media is driven by portraits. A big percentage of the photos that are made every day are of people. From the covers of magazines to the profiles of social media platforms, good photos of people are more in demand than ever before.
We want to help you to look great. We want to show your friends how confident, happy, and interesting you are, these days. We want to show your clients or employers how on top of the game you are. We want to show your love how attractive you are. We want to show the world your beauty, shining from the inside.
Portraiture is a great way to affirm the good in others. We want to bring out the best in you.