Imagining Sustainability

This whole thing is a miracle if you look at it right. The simplest things are the most sublime. Our breath. An involuntary act. It is the source of life and it runs on autopilot. It’s a very magical existence we share. I’m constantly reminded of this by the things I encounter when shooting photographs, but this perspective is also due to writing and reflecting. The disciplines of photography and writing give me this ability to see the world with a fresh point of view.

Sunrise over the Bay

Yesterday morning, we headed out before sunrise and chose the wharf as the setting we would use. We are still recovering from the flu, so Wilder is not realistic for the sunrise shoot, for now. Luckily, there are lots of very close places that have tons of potential for photography. The wharf is less than a mile away and it has tons of interesting subjects to study. Not only is it a liminal space (somewhere in between land and water), but it is an iconic Santa Cruz location. So many people have visited the wharf with its view of the Boardwalk and its famous residents: the Sea Lions.

Our Whiskered Friend

The proximity of the wharf is important. We are trying to use as little energy as possible in the production of our work. Keeping close means being more creative and we still haven’t reached the point of boredom where that creative energy really thrives. There is a confusing thing that happens with photography because the experience of making a photograph can be so exciting. Those photos, when something extraordinary is going down, are important too. They are just not as creative. In other words, if the world in front of you is on fire with color because of an amazing sunrise, then you don’t have to do much to get a great shot. It is when the light is not great and the day seems to have no particular interest that the spirit of invention and experimentation wakes up. By limiting the range of where we are working, we both reduce the amount of energy we use, and we increase the likelihood of engaging those creative muscles that are usually born from necessity. If you need to be the source of the interest in your content, then you will be. That is one of the challenges of living in such a beautiful place. The world barely gives you a moment to be less than enthralled.

Lighthouse Wave Seen from Wharf

Sustainability is the word of 2020, I’ll tell you that right now. You are going to get sick of hearing about it, but that shouldn’t matter. It’s too important for us to think about it like some kind of programming. Unfortunately, that’s how humans seem to get stuff done: by programming ourselves and others. So, it’s going to have some of that amateur media critic vibe to the movement. You know, the Eco-Yelpers. The thing is, sustainability matters for everyone, so we need to rise to the occasion. My goal is to educate myself about the subject and to practice raising awareness by sharing what I learn.

Future Looking Sustainable

I am currently developing a course based on this idea and I have named it “Imagining Sustainability.” I believe that the biggest obstacle to our transition to more sustainable energy sources and business practices is our collective ability to see the problem and to envision a solution. We need the road map. This is an era of exploration. The brands who figure out sustainability in the next few years will be the brands that last into the future as institutions of culture.

That Morning Sun

One thing that I want to say about climate change and sustainable development: it is nobody’s fault. I do not think that holding individuals accountable for the situation is going to help. I believe that businesses and other organizations should take responsibility for providing more sustainable solutions. I certainly do not think that people living below the poverty line should have to spend more money to be more ecologically engaged. We need greener and more affordable solutions. To achieve sustainable development, the new products and services need to be better. The market seems to move much less quickly driven by ethical concerns than it does for the desire for better goods.

Let’s do it for this guy!

This course I am designing is for content creators who want to be a part of the sustainable development movement. I am going to be reading and sharing ideas from a bunch of great books and authors. Half of the course is going to be focused on self-development, the other half on the history and challenges of sustainable development. The term comes from a conference held in 1987 called “Our Common Future” and that is one of the important starting points of the conversation.

Sustainable Development 2020

I want to repeat a very important point: I do not think that individuals should feel responsible for climate change or sustainable development. I mean, people can feel however they feel of course, but there is something much bigger that needs to happen. How we act individually of course has great importance because anything that you multiply billions of times has an enormous impact. If the range of choices that people can make is full of better options, then we stand a chance. Of course, we still need people to behave. Or do we?

Morning Breath

The example that comes to mind is the parking lots up north and unfortunately some beaches, where people dump their trash out. This is an especially repulsive pattern as the coastline is pristine and beautiful and seeing fast food packaging and alcoholic seltzer cases littered around is a bummer for sure. But, it is an opportunity for jobs. Every problem is a potential for a new solution. If we can’t successfully convince people to stop throwing their trash on the side of the road, then let’s make it a priority and invest in keeping public spaces clean. But also, if businesses were not making packaging that doesn’t biodegrade then it wouldn’t be in danger of contaminating the ocean. Speaking of that, what is happening with hemp? That is another big question I have, since it was federally legalized last year and we have heard of the promising products that it can help us to create. Look, plastic is an extremely new invention and it has had such a big impact on our planet, but it isn’t the end solution, obviously. We are in the last phases of the plastic era, and a new hemp-based future is starting to break the dark of night.

Sunny Spots

Back to the sunrise at the wharf. Keeping it close, making the most out of what we have within a narrow range of distance, and entering into this in between world where you are suspended over the ocean on a wooden stretch of road and buildings held up on wooden sticks. When you look at a wharf from a distance it looks preposterous. When you drive out on it, every instinct of automotive preservation screams go back. Cars are not supposed to be surrounded by that much salt water. But it is a normal thing: a wharf. We have them everywhere. The banality of the magical.

Just Jumped Up

The sunrise helps to remind us of that magic as the moments before the break of dawn are something like a wharf of light, this bridge that takes us out into the space in front of us. Then, the first golden rays of light streaming from the golden disc as it crests the horizon line hit all the wet slowly waking things out there gently rocking above the Pacific blue. Some of these waking things start making some very funny noises as they wrestle for position. The Sea Lions warm themselves on the understructure of the wharf in the morning and those first amazing beams of warmth are a prized possession or position, really. They bark and scream and bellow and bite. It is a dramatic scene that takes place in the underbelly of the pier. And it is symbolic of the very animalistic ways we engage with each other. For all the amazing abilities of abstraction and self-reflection, despite whatever linguistic innovations or scientific understandings we have achieved, on a very real and daily level of existence we are so much like those Sea Lions battling over that comfortable warmth from the first moments of daylight.

But I called that spot!

I don’t often talk about gear, because I’m more interested in process and narrative, but for the kinds of shots I was getting at the wharf you need one very important and expensive tool: a telephoto lens. I was using a 400mm 5.6 prime L Series Canon lens mounted with a Sigma converter to a Sony A7Rii body. I love this combination. The color, contrast and sharpness all are great, and it gives you the ability to pull tightly cropped expressions from wildlife. You have to have a long lens to shoot wildlife responsibly. Yes, they have made the wharf their home, but they are still wild and should be respected as such.

First Rays

There is a landing on the east facing side of the wharf which gets the most sun the earliest and this is where the babies sleep with their mamas. How is it that nobody is fighting over this space, we do not know and can only conclude that it is because of the ferocity of mothers and their desire to keep their brood safe and close. Apparently, those battle have already been won, and the males prance around on the other beams fighting for prime spots.

Relatable

Most living things are constantly adapting to the changes in the environment. The Sea Lions didn’t ask for the wharf, but they use it to their advantage and the same goes for most humans, I believe. It is only when businesses, governments and other organizations achieve the skills, the knowledge and the will to develop sustainably that we will have a future more full of promise than fear.

Waves, Color and Light in Photography

There are a million valid approaches to photography and any of them can lead a dedicated lover of light to a path of making successful images. The goal of all photography is the same, however: it is to be seen. The experience of looking at a photograph is the thing that we are contributing to the public. What kind of looking experience are you hoping to create?

Sunset Watchers

I’ve been thinking lately about the difference between photography that is inner directed versus externally stimulated. This is a key distinction and I’m not saying that one is better than the other, but if you want your work to have style and vision then you might need to think about this nexus. It always comes down to the question: why are you taking the photograph? What is your motivation?

Tension in the Water

When you photograph a product or a lifestyle shot you have certain goals. You are trying to please a client and to create beautiful images that they can use confidently to represent their brand. You want to tell a story about the experience that they are offering. This helps you to understand how to direct the elements of your photography. When you do work for a client, you start with the purpose of the shot.

Morning Show

You can do the same thing for yourself, too. You just have to think about it as though you are your own boss, because you are. There is a tremendous urge in the era of social media to create images that are pleasing to the public. Sunsets, puppies, etc. Are these things genuinely your interests or are they just an effective way of getting your work seen? They say that is one of the first rules of marketing. If you want to sell lots of stuff then choose something that people already like. Some things are more appealing than others, even though it is really up to the public to decide. If you are making things that people like, where is your point of view being expressed?

Waves and Light

That is why it is important to do personal work as well as the work that is going to pay the bills. If you spend time scratching your own itch, if you figure out what it is you really like and why, then your work will grow. The thing is, you can still like the things that other people like. You don’t have to avoid the sunsets just because they are popular. That’s not what I’m saying. I think that it is important to carve out your own inner driven photography, too.

What Draws Your Attention?

What does it mean to do inner driven photography? I guess it is easier to explain the opposite. Yesterday morning I was writing and finishing up my coffee when I checked the window in the kitchen that faces the ocean and I could see the clouds already starting to light up. At that moment, I could tell that if I didn’t move quickly I would miss my favorite part of the sunrise light. So, I got my stuff together and met the morning light ready to get those shots. This was not motivated by my feelings about where we are as humans, well not entirely. Maybe it is just how you think about it, too. But it was the indication of color in the sky that alerted me to the possibility of an amazing shot. And, since we are in the business of getting things seen it is important to be there to get those shots, too.

A popular spot to watch the sunset

The shots that I am working on that are more inner driven and personal are portraits of Madison that we do on our hikes. Those are more meaningful to me because of our connection. We are in love and we share some amazing areas of overlap in our interests. She is a beautiful woman and a model so when we work together our personal feelings are enhanced by our professional skills. By combining these elements, my hope is to create images that will be profoundly individual but also universal. Love is one of the great powers that humans have access to and this is a project that is based in love.

Love the break of day

Since it is flu season, however, not every morning is available for hiking into the cold to get a beautiful photo. So, I have been going solo. And yesterday morning it was obviously going to be an amazing day. The sunrise was mystical as any day breaking over the sanctuary of Monterey Bay has ever been. Huge sets bringing high tide steamers through crashed against the cliff and increased the drama and energy of the morning. The sunrise is a symbol of hope and renewal. At least it is for me. It is also an amazing show. My love for sunrise and sunset is genuine as anything ever has been. As a painter, I am continually amazed by my own capacity for shock.

The qualities of light in the morning are varied. First of all, you have the blue hour. This is when the darkness of space gradually gives way to the day’s illumination in silver blue tones. We read color symbolically, so this time of day is often a mood that invites calm and reflection if not melancholy, but if there is the right amount of clouds in the sky, then that blue is violently interrupted by shocking hues of red and pink that are brighter and more gauche than any neon artist’s dreams. In fact, there is something so lacking in subtlety about the sunrise that it is extremely tasteless. No rich person would ever choose to paint the sunrise the way it happens on those most colorful days. No, that kind of color is too much for old money. It begs too much attention. It is narcissistic. It is a performer on the stage. To some people, the sunrise is a dancing bear working for peanuts.

Not for us, though. For us, it is inspiration. It is courage with color. It is aggressive happiness. The sunrise is a message of more than hope. It is screaming at us. This is your essence. You are this beautiful, crass, dramatic extreme moment of wild untamed energy. The sunrise is our true calling. We are eternal, we are infinite, we are light. When you see it and recognize it your entire being fills with that energy. And then the first five minutes of light after the sun crosses that horizon line are the softest most golden rays of light you will ever have access to. There is no softbox in the world, no reflector, no strobe, no led, no nothing that can compare to the beauty of that light. This is a subtle light, though, and it is exactly the kind of light that old money loves. It is gold, it is finite, it is rare. This special light can be used in a number of valuable ways. It is only five minutes past sunrise and you have already experienced three radically different kinds of light. This is what it means to be a photographer to me.

Some days the light is amazing. Some days the ocean offers you a dynamic swell that you could just chase and watch all day. Some days you get both. This is when it is very difficult to do anything but feast. It is an embarrassment of riches and you feel like you are shooting fish in a barrel, but they are still fish.

When the waves are good, Santa Cruz focuses on the ocean. Most people are trying to get in position to get some waves. For me, I get as much satisfaction from a great photograph of a wave as a ride on one, and I can use the photos afterwards, so I stick with the camera. I think that some people can do all kinds of things, and I do work in a lot of different media already. But, I like to keep my obsession squarely directed towards the act of making photos. I don’t dilute any of my drive. I focus it on photography and let making images be supremely important to me.

Also, it gives me the opportunity to photograph professional surfers or my friends who want photos. Photographing surfing is difficult. You need the right equipment and a lot of knowledge. Angles and timing are even more important when you are trying to capture the act of riding a moving ramp of water that wraps around the reef hitting moments of light and reflection that create magical sparks of interest in the photos.

Yesterday my friend Sasha hit me up mid-day with a report of some good waves and so I met him somewhere cool and got a few photos. Standing on the beach looking through a 400mm lens watching the sets and trying to pick out my buddy from the pack of non-descript wetsuit-wearing surfers is a challenge for sure. There are so many distractions from the birds to the people walking by and the waves themselves are constantly drawing your attention. As you wait for someone to take off on a peak you see a grinding barrel down the beach. It takes a lot of timing, patience and self-control to stick with one surfer and try to get them shots. Yesterday, we got some good ones. Sasha is a brilliant lawyer who also happens to love surfing and art, so we get along well and laugh at ourselves as often as possible. It’s so important to me to not take myself too seriously. You have to laugh at yourself. It is mandatory in my book. Out in the morning watching the sky painted with crazy colors that would make a hip-hop artist blush and you are standing there with a tripod and a camera. It’s funny.

Due to the popularity of surfing, there is often a lot of tension in the water. The best way to deal with this increasing tendency is to be respectful, but you see a lot of conflicts going down. There are limited amounts of waves each day and sometimes people fight over them. It happens and if nobody gets too hurt, it is funny. Of course, it is much, much better to be cool and respectful and to enjoy your time in the water peacefully. There is definitely the potential in the water to achieve a powerful state of equanimity and equilibrium. It is good for us. But, the stress of trying to compete for waves can get the best of us, too.

Yesterday was a day that couldn’t stop giving. The sunset was just as dramatic and powerful as sunrise. The cliffs were full of people watching the sunset and it was a great scene. Instead of just getting the color and the landscape I enjoyed portraying the whole scene including the sunset watchers and the guy with funny santa pajama bottoms on. You see a lot more people watching the sunset, which doesn’t make it less valuable to me. I just like to get them in the scene sometimes. That is one of the great things about living here. We see sunrises and sunsets over the water.

We are in the middle of an amazing run of weather and waves and so busy is the way to be, but I’m looking forward to a slower time coming up when I can refocus on the work that we are doing up at Wilder, which is much more inner driven and important to me. It’s all important, but I feel like that work is the greatest contribution that I have to make. You have to be the judge of your own work. You have to say what you think is good and important even if nobody else likes it. You get to decide what you put out there and what you leave behind. What other people think of it is not yours to control, and that can be difficult when people don’t see what you do, but that is the nature of art and photography.

Light, Subject and Style in Photography

If you want to photograph with natural light, you have to get really good at understanding how your camera reads light. Every camera setup is different and not every camera is equally good at capturing what you want, but if you work with any camera for a period of time you can discover what lighting situations work best. Looking for good light is a huge part of being a photographer, but that is only one part. Photography means writing with light, but what are you writing about?

Empty waves are a great subject

Sometimes photographers struggle with finding a subject that inspires them, but that can be achieved through trial and error, too. The thing is, you have to figure out what you are good at and what other people want to see. That is the goal: to give people something to study.

Apex predator hunts the cliffs in Santa Cruz

You might need to choose a few different subjects depending on where you live but that is a super important decision. Now, the subject you choose is going to be very key to how people perceive you as a photographer, but you also need to keep growing and finding ways to keep your tools sharp.

Big swells hitting Santa Cruz coastlines

Living in Santa Cruz, there is no shortage of beautiful scenery, but is that what makes a great photograph? Is it just being somewhere beautiful at the right time, or is it more than that? Sometimes it might be that simple, but that is not going to lead you to a personal style or a recognizable voice. I don’t think that I have enough power to resist the shots that want to be taken. When you look at a landscape, how do you make it personal? What are you looking for that nobody else sees or sees as being important?

Blackbirds in green grass

Subject can be an entry to style all on its own. Think about Humans of New York, which is possibly one of the biggest photography projects of modern times. That has little or nothing to do with Brandon’s style as a photographer. It has to do with his desire to collect stories and to celebrate the city that he loves. Because it got big enough, his project has more than a style: it has an ethos. People want to be a part of it. It brings you serious fame and acclaim to be featured on the HONY page.

Why you choose your subjects will matter, too. What is your personal connection to what you are hunting with your camera? It isn’t necessary for there to be a clear and obvious connection. Maybe sometimes that is better left unsaid, but you want to know why you choose a subject. There are some subjects that are hard to own. All subjects are hard to own. There are so many photographers working today and getting great shots that it is really important to do everything you can to set yourself aside from the crowd.

Connection with a place matters

Here in Santa Cruz we have a mixture of different cultural things that can make good subjects. We have the waves, we have skateparks, we have mountains, redwoods, wildlife and beautiful people. We have tons of possible subjects for photographers to choose, but what happens is usually everyone tends to go in the same direction, and it is not that hard to figure out why. The ocean has a huge allure for a lot of people. We are drawn to it. It has a mesmerizing quality.

Steamer Lane showing power

I shoot lifestyle, product and commercial photography for businesses in Santa Cruz and I am always looking for good opportunities to create some content that will work well for those brands. Creativity is just what it is. You have a task and you do your best to think of new and fun ways to achieve it.

Barney Roll?

This time of year, there is a lot of good light. The angle of the sun never gets too high, so it is always somewhat soft and golden. Plus, the sunrise and sunset each day doesn’t have that much time in between. We get some amazing color at daybreak and at dusk and it’s hard to imagine many photographers resisting the call of those tones.

Big Pete’s sunset

We are in a period of the month right now where the moon is already set by the time the sun goes down. The nights are cold and wet. The air is clean and stings your face in the morning when you go out to a pre-dawn car and head out to shoot. Being out for that kind of beauty in the morning is a great way to start the day. You have to be ready early, though, because the colorful part of the sunrise sometimes happens a full thirty minutes before sunrise. It’s good to know what the weather is doing so that you have some idea of if you need to be out there super early or what. It is probably a good idea just to always get out there early so that you have that as a habit. Even if there is no great early morning color, you can always make some interesting shots before the first light of day. Plus, you will be out there warming up your skills so that when the light peaks the way you want it to it will be easier to capture what you want.

Waves on waves

Even though photography only involves pushing a button as the consummate act of creation it is actually a difficult skill. All it takes to fire a gun is to pull the trigger, but there is a huge difference between shooters.

Rainy flowers

Santa Cruz is a surf town, a college town, an organic farming town. These are the things that define us. There are other factors, of course, but those are core to who we are. I think that your subject matter is best to have something personal and something about the place you are working. You should both be expressing something unique to your own experience and something that is useful to the people who live where you work.

Color Theory and Food Photography

Working with color and composition in food and product photography.

Do you need to photograph some food or products for your marketing purposes? There are some tried and true methods I use to get mouthwatering images easy on the eyes, but I also like to research methods and to keep learning new things, so I stay inspired and varied in my creative output.

One YouTuber who I really like for tips and tricks related to food photography is The Bite Shot. Joanie Simon approaches food photography as an artist and has wonderful ideas that produce great results. I watched her video “Using Color Theory in Food Photography.” In this video, she talks about Josef Albers, of the BAUHAUS movement, and refers so some ideas in his book “The Interaction of Color.”

I had some bags of Big Pete’s Treats Lemon Cookies to photograph with some cut up lemons, so I decided to do some shots using a purple paper to give the image some design elements. It’s a very basic idea that complementary colors are pleasing to the eye, but Albers via Simon helps us to understand why this technique works. When you overlay two colors the color of the ground is subtracted from the color on top, causing the color to move in that direction in the way it looks. If I had used a green paper or orange paper it would have affected the appearance of the yellow. Since there is no purple in yellow, the yellow retains its hue even on top of a colorful ground.

The thing about color is that it is an endless way to experiment with your photography. Being intentional with color helps to understand how it works.

Try to create a photograph with two colors only. How did you balance the colors? What was the mood you were going for? Try different color combinations and see how it changes the way we read color.

Also, check out my latest podcast “Massage the Messenger,” HERE: http://bit.ly/Massage_the_Messenger

Massage the Messenger

podcasts.apple.com/us/podcast/dialogic/id1410521236

The Joy of Ribs

It’s not a difficult task to love food. It’s the most natural thing in the world. Humans are blessed with this amazing palette of flavors, colors and textures that they can consume via the edible arts. Is food the ultimate art form? It engages every sense that you possess and then it becomes a part of you. How powerful is that?

As a photographer, I relish the opportunity to work with culinary artists and so it was with great pleasure that I agreed to shoot my friend Teddy Danielson’s first dinner as a private chef. She had worked all day to get everything ready, and when I got there, an hour before she started serving guests food, she greeted me with a cookie. “Jake! How are you. Try this cookie.”

I looked at the powdered-sugar-dusted little nugget of goodness and got a napkin and sat down to enjoy it. I sank my teeth into the cookie and I was transported. What the heck? I wasn’t expecting what I experienced. It was crunchy on the outside, but so chewy on the inside and sweet and almond flavored all the way through. It was like a magic trick.

“Are you kidding me?”

“Good texture, huh?”

What a way to set it off. I knew that she was an expert chef, educated in technique and passionate about creating great food, but even with this expectation I was happily surprised. The cookie was evidence of her magic. Teddy was a contemporary sorceress working with her team to prepare beautiful hors d’oeuvres and rolling out some gorgeous pizza dough. These lucky guests were going to eat some absolutely perfect pizza with pears, brie cheese, and caramelized onions, as well as other flat bread masterpieces. But that was just the beginning.

As I moved around the kitchen keeping out of the way of this master orchestrating her work, I kept catching a whiff of the short ribs that had been slowly cooking all day in a bottle of wine. Next came the risotto which filled the kitchen with that unmistakable scent of rich cheese infusing rice with flavor. As she was plating the buttery short ribs atop a bed of risotto I witnessed the final course of a dinner that is as good as it can possibly get. Check her out if you are hosting a party and want the best of the best private chefs. She also delivers meals on a weekly basis for clients who want something delicious, healthy and easy to heat up.

Contact Teddy through her Instagram @takingpurejoy

Notes to a Young Artist

Nobody taught us how to say goodbye. It’s really gonna hurt. Hurtling towards that time when we have to go, running around the coffee shop like a 5-year old hopped up on espresso.

It just hit me. I’m not ready. I’m not ready for any of it, but it doesn’t matter. Not one little bit. It’s gonna happen. To me, to you, to everyone we love.

Have a kid you love. Then feel that.

It’s too fucked to be real, but real it is.

This is why Shakespeare was so great. He expressed the comical levity and the tragic certainty of life with equal energy. It’s a beautiful place full of ecstatic feelings and from time to time the most horrific experiences occur. The more wonderful it seems the harder it stings.

This is one reason why I love punk music. Bands like Black Flag help us to grit our teeth. You gotta get through the hard times. It’s gonna take a lot of hutzpah, kid.

It was the best of times and the worst of times and they just keep getting more intense. Just remember, pain is temporary. Everything passes. If you can embrace it all, make art out of everything. Judge nothing. Trust your own ability to read energy. That’s all it is. Just a bunch of signals.

Somewhere someone right now is suffering because they forgot this. A love was lost, a fortune squandered, their last chance spilled like red wine on white carpet.

Compassion is our greatest strength. To think of others is the hardest task. There’s always room for improvement. And this is how you do it. Be unbothered. Know yourself better than anything else, and especially understand that you are as finite as a wave and as infinite as water. The world is a tremendous paradox and nobody is better or worse than you.

Kindness is strength, violence is weakness, love is everything that matters.

Hungry

Thinking about the #WaterProtectors on this day dedicated to love, during the Hunger Moon-the coldest month of the year in this hemisphere. Only through our desire to respect the environment will we overcome the significant challenges we face. Now is the time for renewable energy. Now is the time to let go of fossil fuels. No more pipelines. No more tar sands. Solar, wind, hydro and bio-energy are more than adequate to fulfill our energy needs. Now is the time. Let’s make a change. Barney had this idea that if everyone on the planet thought the same thing at the same time, then anything could happen. I believe it is true. We’ve never been more divided and we’ve never had more reason to come together.

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Water Power

The Oroville dam is about to bust. Somewhere near 180,000 people had to be evacuated, but that is just the start of the problems. People are losing their homes and there’s no telling how far that water will spread once it is set free. Water is like power is like money. It flows freely and seeks its own level. It is only with major acts of engineering or natural acts of geography that it is ever stored in one place in large amounts. So many of the tragedies we see today are actually symptoms of deeper problems, of engineered imbalances. Building border walls is like building nuclear power plants is like building dams: all bad ideas with consequences nobody wants to experience. Meanwhile, here in little ol’ Santa Cruz the morning was preceded by flash bombs and helicopters. Was it a raid in the planning for 5 years designed to arrest truly violent gang members, or was it a raid on immigrants without the right legal paperwork?
One day, sometime not too far away, this cave will collapse. It kinda makes you appreciate it more when you think of that.

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Photographing Felton

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Felton is a beautiful place to those who love it. 5 miles north of Santa Cruz, it’s an entirely different scene. Home to big trees, sunny skies, and solid people; I get to visit Felton at least once a week for business and I always think how lucky I am. This time of year everything is parched and exhausted from the season’s sun, ready for rain and rest. This gives the mountains a rugged beauty, coated in dust and cracked with wear.

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