Lots of comics enjoy watching comics bomb. The funniest part of Shakespeare’s A Midsummer Night’s Dream is the audience’s response to the awful play performed at the duke’s wedding. This scene is funny because of the irony. We have watched these passionate but unexperienced actors preparing for this night throughout the play and it is exactly how wrong they were that makes it so funny. 

When we first meet these aspiring thespians, they are gathered in the woods to rehearse and from the very first moment they get it wrong. It is a failure of leadership, due to a lack of experience that summons the fearful critic among them to point the ship in the opposite direction. They start out concerned that the subject matter is too disturbing for the women in the audience, showing a double misunderstanding: they don’t get theater and they have a false idea of women.

This concern over the violence leads them to horrible stylistic decisions that then shape the rest of the play. To avoid offending the ladies, they invent a prologue to explain that the violence is only symbolic and that nobody is going to be hurt during the play and that the lion is not a lion, etc. To work, a play must create the tension needed to get people’s full attention so that it can then reverse their expectations and surprise, delight, or otherwise entertain. Afraid that the ladies in the audience would not understand how to suspend their disbelief, these actors choose to violate the 4^th wall and bring the audience into the show.

This device makes it impossible for the audience to take it seriously, though, and so they are left to critique the choices and to laugh at their unintended buffoonery. The players lack of understanding how they are perceived causes them to botch their shot, and this flat-footed clumsiness makes it even funnier when Bottom is turned into an ass by Puck at the service of Oberon to trick Titania, queen of the fairies. They turn bottom into an ass and give Titania a potion so that she falls in love with him.

To take the stage, in order to win the affection of a fairy goddess you have to have some belief in self, and it is Bottom wrestling with his insecurities and his delusions of grandeur that is so similar to what the path of an aspiring comic likely entails. Bottom is a phase, a stage that must be overcome grown through.

The process of finding out just how funny you are, of seeing an audience respond to you in real time makes for some vicious therapy and it is no wonder that actors and comics have a hard time sometimes making sense of where their act begins and ends. You must love anyone who attempts the feat and give thanks to those who succeed, because it makes our world a much more pleasant place to live. Long live the failure of comedy.